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Das Voynich-Manuskript

Das Voynich-Manuskript ist eine 232 Seiten umfassende illustrierte Handschrift aus dem späten Mittelalter. Alle Seiten sind in einer Geheimschrift geschrieben, die bis heute nicht entziffert werden konnte.

Es enthält phantastische Bildern nackter Frauen, seltsamer Erfindungen und nicht existenter Pflanzen und Tiere [..] Farbige Skizzen im anspruchsvollen Stil mittelalterlicher Herbarien zeigen Blüten und Gewürze, die niemals auf der Erde wuchsen, und Sternbilder, die der Himmel nicht kennt. Pläne für außerirdisch seltsame Rohrleitungen zeigen Nymphen in Sitzbadewannen, die durch verzweigte Leitungen im Makkaronistil miteinander verknüpft sind. Das Buch wirkt auf unheimliche Weise wie ein vollkommen vernünftiger Text aus einem anderen Universum.

Nach einem Brief von 1666 an Athanasius Kircher hat der deutsche Kaiser Rudolf II. (1552-1612) das Manuskript für 600 Golddukaten gekauft. Von Dr. John Dee? Von Roger Bacon? Später soll sich das Voynich-Manuskript lange Zeit im Jesuitenkolleg von Mondragone in Frascati befunden haben. 1927 hat es Wilfried M. Voynich, ein Wissenschaftler und Bibliophile polnischer Abstammung, erstanden. [...]
   Voynich brachte das Manuskript mit nach Amerika, wo es ausführlich erforscht wurde. In den letzten 75 Jahren ist das Voynich-Manuskript immer wieder von Gelehrten wie von eigenwilligen Spinnern interpretiert worden. Das Manuskript befindet sich jetzt in der Beinecke Rare Book and Manuscript Library der Universität Yale.

Statistische kryptographische Untersuchungen legen nahe, dass es sich bei dem Manuskript nicht um einen mittelalterlichen Scherz oder eine Fälschung mit sinnlosen Zeichen handelt. Der Text ist in einem Alphabet aus gut zwanzig Symbolen geschrieben, die aber nicht 1:1 für lateinische oder griechische Buchstaben stehen können.

Zitiert und Informationen nach William Poundstone, Im Labyrinth des Denkens, Reinbek: Rowohlt 1995 (rororo science), S. 293f.

Katalogeintrag der Universität Yale

MS 408
Cipher Manuscript
Central Europe [?], s. XV^ex-XVI [?]

Scientific or magical text in an unidentified language, in cipher, apparently based on Roman minuscule characters; the text is believed by some scholars to be the work of Roger Bacon since the themes of the illustrations seem to represent topics known to have interested Bacon (see also Provenance below.) A history of the numerous attempts to decipher the manuscript can be found in a volume edited by R. S. Brumbaugh, The Most Mysterious Manuscript: The Voynich "Roger Bacon" Cipher Manuscript (Carbondale, Illinois, 1978). Although several scholars have claimed decipherments of the manuscript, for the most part the text remains an unsolved puzzle. R. S. Brumbaugh has, however, suggested a decipherment that establishes readings for the star names and plant labels; see his "Botany and the Voynich 'Roger Bacon' Manuscript Once More," Speculum 49 (1974) pp. 546-48; "The Solution of the Voynich 'Roger Bacon' Cipher," Gazette 49 (1975) pp. 347-55; "The Voynich 'Roger Bacon' Cipher Manuscript: Deciphered Maps of Stars," Journal of the Warburg and Courtauld Institutes 39 (1976) pp. 139-50.

    Parchment. ff. 102 (contemporary foliation, Arabic numerals; not every leaf foliated) + i (paper), including 5 double-folio, 3 triple- folio, 1 quadruple-folio and 1 sextuple-folio folding leaves. 225 x 160 mm.
    Collation is difficult due to the number of fold-out leaves that are not always foliated consistently. I-VII^8 (f. 12 missing), VIII^4 (leaves foliated 59 through 64 missing from center of quire), IX^2 (double and triple fold-out leaves), X^2 (1 triple fold-out), XI^2 (1 quadruple fold-out), XII^2 (f. 74 missing, followed by stubs of conjugate leaves), XIII^10, XIV^1 (sextuple fold-out), XV^4 (1 triple and 1 double fold-out), XVI^4 (1 double fold-out; ff. 91, 92, 97, 98 missing, 2 stubs between 94 and 95), XVII^4 (2 double fold-outs), XVIII^12 (ff. 109-110, central bifolium, missing). Quire signatures in lower right corner, verso, and sometimes on recto.
    Almost every page contains botanical and scientific drawings, many full-page, of a provincial but lively character, in ink with washes in various shades of green, brown, yellow, blue and red. Based on the subject matter of the drawings, the contents of the manuscript falls into six sections:    Part I. ff. 1r-66v Botanical sections containing drawings of 113 unidentified plant species. Special care is taken in the representation of the flowers, leaves and the root systems of the individual plants. Drawings accompanied by text.    Part II. ff. 67r- 73v Astronomical or astrological section containing 25 astral diagrams in the form of circles, concentric or with radiating segments, some with the sun or the moon in the center; the segments filled with stars and inscriptions, some with the signs of the zodiac and concentric circles of nude females, some free-standing, other emerging from objects similar to cans or tubes. Little continuous text.    Part III. ff. 75r-84v "Biological" section containing drawings of small- scale female nudes, most with bulging abdomens and exaggerated hips, immersed or emerging from fluids, or interconnecting tubes and capsules. These drawings are the most enigmatic in the manuscript and it has been suggested that they symbolically represent the process of human reproduction and the procedure by which the soul becomes united with the body (cf. W. Newbold and R. Kent, The Cipher of Roger Bacon [Philadelphia, 1928] p. 46).    Part IV. ff. 85r-86v This sextuple- folio folding leaf contains an elaborate array of nine medallions, filled with stars and cell-like shapes, with fibrous structures linking the circles. Some medallions with petal-like arrangements of rays filled with stars, some with structures resembling bundles of pipes.    Part V. ff. 87r-102v Pharmaceutical section containing drawings of over 100 different species of medicinal herbs and roots, all with identifying inscriptions. On almost every page drawings of pharmaceutical jars, resembling vases, in red, green and yellow, or blue and green. Accompanied by some continuous text.    Part VI. ff. 103r- 117v Continuous text, with stars in inner margin on recto and outer margins of verso. Folio 117v includes a 3-line presumed "key" opening with a reference to Roger Bacon in anagram and cipher.     Binding: s. xviii-xix. Vellum case. Remains of early paper pastedowns.

Written in Central Europe [?] at the end of the 15th or during the 16th [?] century; the origin and date of the manuscript are still being debated as vigorously as its puzzling drawings and undeciphered text. The identification of several of the plants as New World specimens brought back to Europe by Columbus indicates that the manuscript could not have been written before 1493. The codex belonged to Emperor Rudolph II of Germany (Holy Roman Emperor, 1576-1612), who purchased it for 600 gold ducats and believed that it was the work of Roger Bacon; see the autograph letter of Johannes Marcus Marci (d. 1667, rector of Prague University) transcribed under item A below. It is very likely that Emperor Rudolph acquired the manuscript from the English astrologer John Dee (1527-1608) whose foliation remains in the upper right corner of each leaf (we thank A. G. Watson for confirming this identification through a comparison of the Arabic numerals in the Beinecke manuscript with those of John Dee in Oxford, Bodleian Library Ashmole 1790, f. 9v, and Ashmole 487). See also A. G. Watson and R. J. Roberts, eds., John Dee's Library Catalogue (London, The Bibliographical Society, forthcoming). Dee apparently owned the manuscript along with a number of other Roger Bacon manuscripts; he was in Prague 1582-86 and was in contact with Emperor Rudolph during this period. In addition, Dee stated that he had 630 ducats in October 1586, and his son Arthur (cited by Sir T. Browne, Works, G. Keynes, ed. [1931] v. 6, p. 325) noted that Dee, while in Bohemia, owned "a booke...containing nothing butt Hieroglyphicks, which booke his father bestowed much time upon: but I could not heare that hee could make it out." Emperor Rudolph seems to have given the manuscript to Jacobus Horcicky de Tepenecz (d. 1622); inscription on f. 1r "Jacobi de Tepenecz" (erased but visible under ultra-violet light). Johannes Marcus Marci of Cronland presented the book to Athanasius Kircher, S. J. (1601-80) in 1666. Acquired by Wilfred M. Voynich in 1912 from the Jesuit College at Frascati near Rome. Given to the Beinecke Library in 1969 by H. P. Kraus (Cat. 100, pp. 42-44, no. 20) who had purchased it from the estate of Ethel Voynich.

Included with MS 408 is the following supplementary material in folders or boxes labelled A - N.

A: Autograph letter of Johannes Marcus Marci of Cronland in which he presents the manuscript to Athanasius Kircher in Rome, in the belief that Kircher would be able to decipher it. "Reuerende et Eximie Domine in Christo Pater. Librum hunc ab amico singulari mihi testamento relictum, mox eundem tibi amicissime Athanisi ubi primum possidere coepi, animo destinaui: siquidem persuasum habui a nullo nisi abs te legi posse. Petijt aliquando per litteras ejusdem libri tum possessor judicium tuum parte aliqua a se descripta et tibi transmissa, ex qua reliqua a te legi posse persuasum habuit; uerum librum ipsum transmittere tum recusabat in quo discifrando posuit indefessum laborem, uti manifestum ex conatibus ejusdem hic una tibi transmissis neque prius huius spei quam uitae suae finem fecit. Verum labor hic frustraneus fuit, siquidem non nisi suo Kirchero obediunt eiusmodi sphinges. Accipe ergo modo quod pridem tibi debebatur hoc qualecunque mei erga te affectus indicium; huiusque seras, si quae sunt, consueta tibi felicitate perrumpe. retulit mihi D. Doctor Raphael Ferdinandi tertij Regis tum Boemiae in lingua boemica instructor dictum librum fuisse Rudolphi Imperatoris, pro quo ipse latori qui librum attulisset 600 ducatos praesentarit, authorem uero ipsum putabat esse Rogerium Bacconem Anglum. ego judicium meum hic suspendo. tu uero quid nobis hic sentiendum defini, cujus fauori et gratiae me totum commendo maneoque. Reuerentiae Vestrae. Ad Obsequia Joannes Marcus Marci a Cronland. Pragae 19. Augusti AD 1666 [or 1665?].

B: Correspondence between W. Voynich abd Prof. W. R. Newbold concerning Newbold's supposed decipherment of the manuscript (1919-26). Correspondence between Anne M. Nills, executrix of the estate of Ethel Voynich, and the Rev. Theodore C. Peterson, dated 1935-61, concerning the provenance, dating and decipherment of the manuscript.

C: Cardboard tube containing articles from international newspapers and magazines; among them The New York Times, The Washington Post, Der Zeitgeist, and others, concerning the announced sale by H. P. Kraus of the cipher manuscript.

D: Scrapbook of newspaper clippings (1912-26) concerning the cipher manuscript, compiled by W. Voynich.

E: Miscellaneous handwritten notes of W. Voynich.

F: Miscellaneous material, including handwritten notes by A. Nills about the cipher, and her correspondence about the sale of the manuscript.

G: Five notebooks handwritten by Ethel Voynich containing notes on the identification of the plants, medicinal herbs and roots; miscellaneous notes by A. Nills listing some characters or combinations of characters as they appear in the manuscript.

H: Box of negative and positive photostats.

I - L: Lectures, pamphlets, reviews and articles concerning the manuscript. Includes (in K) the transcript of a seminar held in Washington D. C. on November 1976 entitled "New Research on the Voynich Manuscript."

M: Miscellaneous correspondence between R. Brumbaugh and J. M. Saul (Paris) and J. Arnold (Oak Grove, Mo.). Handwritten transcription of ff. 89v-116r by R. Brumbaugh.

N: Temporary folder of negative photostats.

Select Bibliography: Exhibition Catalogue, pp. 271-72, no. 85.
    J. H. Tiltman, The Voynich Manuscript Baltimore, 1968).
    C. A. Zimansky, "William F. Friedman and the Voynich Manuscript," Philological Quarterly 49 (1970) pp. 433-43.
    The Secular Spirit: Life and Art at the End of the Middle Ages, exhib. cat. (New York, Metropolitan Museum of Art, 1975) p. 203, no. 217.
    R. S. Brumbaugh, ed., The Most Mysterious Manuscript: The Voynich "Roger Bacon" Cipher Manuscript (Carbondale, Illinois, 1978), with additional bibliography.
    M. E. D'Imperio, The Voynich Manuscript: An Elegant Enigma (National Security Agency/ Central Security Service, Fort Meade, Maryland, 1978), with additional bibliography.